Fairchild® Tube Limiter Collection
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Profitez de l’intensité sonore des compresseurs les plus célèbres de la planète.
La Fairchild Tube Limiter Collection vous permet de retrouver la compression soyeuse et chaleureuse que vous entendez sur des centaines d’albums mythiques, des Beatles à Pink Floyd et passant par d’innombrables classiques de la Motown*. Vous pouvez désormais appliquer ce même « éclat » analogique à vos voix, batteries et mixages entiers grâce aux plus fidèles émulations logicielles de ces compresseurs à lampes uniques en leur genre.
Versions incluses
UAD Native
Fonctionne sur votre Mac ou PC sans le matériel d’UA.
Apollo Realtime & UAD-2
Fonctionne en mode accéléré sur les interfaces Apollo et les systèmes UAD-2.Configuration système requise : les plug-ins UAD natifs fonctionnent sur macOS 10.15 Catalina ou une version ultérieure, ainsi que sur Windows 10 et 11. Consultez notre page d’aide dédiée pour connaître la configuration système requise.
- Apportez à vos prises et mixages la chaleur et le caractère des compresseurs à lampes classiques de Fairchild
- Ajoutez des harmoniques et du punch aux voix, aux batteries et à d’autres instruments grâce au contrôle de gain à lampes et aux étages à transformateurs signés Fairchild
- Contrôlez facilement le niveau de compression grâce au contrôle Wet/Dry, au filtre de sidechain et à la réserve de gain
- Profitez des seules émulations authentiques des compresseurs Fairchild vintage de référence utilisés dans les studios Ocean Way
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5-Minute Tip: Joel Hamilton
(Pretty Lights, Highly Suspect)
Add presence and texture to lead vocals with the Fairchild Tube Limiter Collection.
Le son mythique de deux compresseurs
Le Fairchild 670 et son pendant, le Fairchild 660, ont défini certains des sons les plus célèbres de la musique populaire. Réputé pour son agressivité, le 660 dynamise les prises de piano, de basse et de guitare, tandis que le 670, le modèle phare, est un compresseur stéréo qui réchauffe et colore les pistes, les mixages et même les masters.
Les Fairchild vintage, comme s’ils étaient dans votre studio
Contrairement aux autres émulations des compresseurs de Fairchild, le plug-in UAD Fairchild Collection est le seul à modéliser à la perfection les circuits de modèles de référence utilisés dans les studios Ocean Way. Vous bénéficiez ainsi de toute la richesse du son à lampes qu’offre ces équipements mythiques.
Un contrôle de mixage dry/wet pour mélanger les sons
Le contrôle Mix vous permet de mélanger le signal non compressé à celui compressé. Du traitement du bus de batterie à celui du bus de mixage, cette fonction vous ouvre un champ de possibilités illimité.
Façonnez vos batteries avec les filtres de sidechain
Donnez plus de punch à votre bus de batterie sans dépasser le seuil du compresseur avec la grosse caisse, et obtenez un maximum d’impact en utilisant les filtres de sidechain de Fairchild.
Gérez la réserve de gain pour faire saturer votre son
Vous pouvez augmenter le réglage du Headroom (HR) pour masteriser vos projets en un clin d’œil. Ceci haussera le seuil de réduction du gain et atténuera la distorsion. À l’inverse, vous pouvez baisser ce contrôle afin de diminuer le seuil de réduction du gain et ainsi accroître la distorsion. De cette manière, vous obtiendrez des textures plus granuleuses qui fonctionneront aussi bien sur des voix que des batteries, des guitares ou des basses.
“If your drums, bass or vocals are lacking a little vibe, just grab the new UAD Fairchild 660 or 670, turn the input knob up, and listen to how much life your song has now.”
– Darrell Thorp (Beck, Radiohead, Charlotte Gainsbourg)
“The much sought after Fairchild 660 and 670 are now accessible to UAD/Apollo users, allowing them to enjoy an audio treat that had previously only been available to a select few.”
– Steve Levine (Culture Club, Beach Boys, Ziggy Marley)
“The UAD Fairchild 670 compressor is beautiful on drum subs, the mix bus, and pretty much anything else. It has a smoothness that's hard to beat.”
– Jacknife Lee (R.E.M, The Cars, Snow Patrol)Watch The Reviews
* L’utilisation du nom des artistes ne constitue aucunement une promotion officielle du logiciel Fairchild Tube Limiter Collection de leur part.Avis clients
g. parenti
14 mai 2023
Increíble
Increíble sonido, no he probado nunca un original, pero este plugin, al ponerlo ya mejora todo, super suave y con una calidez...
En lire plusA. Portillo
7 mai 2023
Incredible
I love the sound it produces. Nice for coloring your sound.
En lire plusS. Blecher
30 avril 2023
Super Compressor
Einfach schöne Compressor Plugins , Dreht man mehr am input Regler, wird es analoger, mehr Saturation . Das Compressor Verhältnis ist auch super. Ich liebe dieses Plugin...
En lire plusA. Cengic
15 avril 2023
Amazing
The Universal Audio Fairchild Compressor plugin is a true masterpiece in the world of audio production. With its stunning attention to detail and faithful emulation of the classic Fairchild...
En lire plusf. scolfaro
14 avril 2023
Classic for a reason
The UAD Fairchild is a classic in its own right, not just the hardware is one. Whether for vocals, drums (where it to me has an edge over most models, with transient rich content) or entire...
En lire plusJ. Hall
14 avril 2023
Crown of my Mix Edition Bundle
I thought the Fairchild 670 and 660 came with my UAD Mix Edition bundle so I read everything I could to decide where in the chain to place it. It didn't, so I bought it. The 1176LN/LA-2A...
En lire plus -
Key Features
Includes the mono 660 and stereo 670, each with their own sonic attributes and feature sets
Models entire electronic path, including tube amplifiers and transformers for complete analog color and behavior
Modeled after Ocean Way’s famous, meticulously maintained golden Fairchild channels
Lateral-Vertical mode for stereo imaging and balance control
Includes custom hardware Stereo Sidechain Link mod
Six attack and release Time Constants (plus additional Time Constant variations with Sidechain Link)
Includes all-new “digital only” features: Sidechain filtering, Dry/Wet parallel blend and Headroom
Includes artist presets from Darrell Thorp, Michael Brauer, Ryan West, and more
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Avis clients
Fairchild Tube Limiter Collection
g. parenti
Increíble
Increíble sonido, no he probado nunca un original, pero este plugin, al ponerlo ya mejora todo, super suave y con una calidez excelente, lo uso en cualquier estilo de música, comprimiendo o solo agradando carácter, increíble!
A. Portillo
Incredible
I love the sound it produces. Nice for coloring your sound.
S. Blecher
Super Compressor
Einfach schöne Compressor Plugins , Dreht man mehr am input Regler, wird es analoger, mehr Saturation . Das Compressor Verhältnis ist auch super. Ich liebe dieses Plugin
A. Cengic
Amazing
The Universal Audio Fairchild Compressor plugin is a true masterpiece in the world of audio production. With its stunning attention to detail and faithful emulation of the classic Fairchild 670, this plugin brings a touch of vintage analog warmth and character to any recording.
From its silky-smooth compression to its harmonic distortion, the Fairchild Compressor plugin delivers a level of sonic excellence that is unparalleled. Its intuitive interface allows for easy control over the compressor's threshold, ratio, attack, release, and more, giving users the ability to sculpt their sound with precision and finesse.
Whether used on individual tracks or in a mix, the Fairchild Compressor plugin delivers a level of depth and richness that simply cannot be replicated by any other plugin on the market. Its authentic sound and unmatched versatility make it an essential tool for any producer or engineer looking to take their audio to the next level.
Overall, the Universal Audio Fairchild Compressor plugin is a true game-changer in the world of audio production. It's stunning sound quality and unparalleled versatility make it a must-have for any serious musician or audio professional.f. scolfaro
Classic for a reason
The UAD Fairchild is a classic in its own right, not just the hardware is one. Whether for vocals, drums (where it to me has an edge over most models, with transient rich content) or entire mixes, this plugin is worth listening to and A/Bing against the best. It won't win every shootout, but it does frequently enough to justify the price tag for me. Going for it is also the smallish footprint.
J. Hall
Crown of my Mix Edition Bundle
I thought the Fairchild 670 and 660 came with my UAD Mix Edition bundle so I read everything I could to decide where in the chain to place it. It didn't, so I bought it. The 1176LN/LA-2A Gray seemed to be a common choice in either order. Order was a study of its own. Long story short... Studder 800 tape, FabFilter Pro Q3, 1176LN/LA-2A, BBE suite (M3/HM/SM/LM) then the Fairchild 660 to polish the chain before the master track, with the Fairchild 670 and API 2500 waiting.
I'm still working on the Vocal and Guitar tracks and have the Pure Plate Reverb, Lexicon 224 and Studio D Chorus individually paralleled across the BBE Suite using a Blue Cat's PatchWork effects rack. The Fairchild 660 provides a VU Meter at the end of the track chain. It helps to EQ before the 1176LN/LA-2A so dominant bass doesn't crush the mid/treble. I tried the LA-2A/1176LN but liked the 1176 first and backed both off a bit when the signal chain reached the Fairchild 660. If you're new like me, you must tune the chain as an aggregate, so don't stall out on each link. Just get it close and move to the next. plug-in
This setup rocks big time and I can't abuse it. I tried.J. Rieder
Big mistake
Not compadible with Mac OS 10.14.6 or below. My fault for not looking at operating system requirements firs. So I'm out the $149 and stuck with a plugin I can't use. I won't be using any UAD plugs.
D. sutherland
I really like this compressors
Yeah they are just the ticket uad thanks 5 star's for you
T. Sothoane
Everlasting Quality..
I first heard of UAD plugins in 2009, and the sense around them was that they were top tier.. But because I couldn't afford them back then, I couldn't necessarily test them out for myself.. 13 years later, I'm now able to afford them, plus them being native makes it a whole lot easier for one to get into the system.. The quality is still outstanding! Unmatched in my humble opinion and it gives you a lot of confidence knowing that the software is working as it should.. I'm really enjoying my Fairchild 670 plugin.. Keep up the amazing work, guys!
A. Alonso
Fairchild classic sound
Is so easy to deal with this compressor, just a classic, the sound is giving amazing analog vibes. I love it, just the best emulation in the market, and maybe I have all of them. Thanks UA, this is like a wine, just better with the time, a trustful plugin
D. Smith
The best compressor together with LA-2 legacy
Worth to buy this non-legacy version. Works great together with Api Channel Strip and LA-2 legacy. It produce strong musical sound, suitable for lead vocals and instruments. Oposite is Tube-Tech compressor which create soft sound for backvocals and background instruments.
Fairchild is my no.1 for lead vocals.J. Srilaam
Every good
I love Uad
U. Juhl
Harmonics and control
I use it to give analog harmonics.
Or to control instruments and sounds.
I like to use it on bass and piano.i. Arriola
Warm enough to use as a coat
Very versatile plug-in that can give you a subtle flavor or be the main ingredient depending how you use it. Highly recommend
V. German
Great compressor!
Excellent in working on the drum bus. Good voice warming, works very nicely on the master bus.
E. ARRUDA
Too hot on the Mix Bus!
This here is a monster, it works for everything. I appreciate a lot in guitars and drums bus.
M. Alexandru-George
Very iconic comp
10 stars <3
I. Tyrväinen
Very good
I actually don't even care if it sounds like the real hardware or not, because this just sounds so good. It pretty much makes many other tube compressor plugins sound like a joke.
J. Tornay
Legendary compressor
It's legendary and it is for a reason: if it's right for your song you'll quickly realize the warmth and glue it brings.
J. Berthier
Lot of harmonics and warmness
I had great result with the 660 on bass recorded DI (Beatles style), and the 670 on the whole mix : just with a little bit of compression ( around -1db) and 50% mix it add warmness, harmonics, body to the mix and tames harshness (a trick I did read in an interview with sound enginer andrew scheps)
