Ampex® ATR-102 Mastering Tape Recorder
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Ce n’est pas un album tant qu'il n’est pas masterisé sur un magnétophone Ampex.
Le plug-in UAD et l’Extension LUNA Ampex ATR-102 Mastering Tape Recorder apportent la ”touche analogique” finale à votre musique. Ils transformeront vos enregistrements en de véritables tubes. Pleinement certifié par Ampex Corporation et choix des plus grands professionnels partout dans le monde, le plug-in ATR-102 capture avec une parfaite fidélité la dynamique unique, la réponse en fréquences musicale et la saturation à bande de ce magnétophone Ampex de référence.
Apporter à vos mixages tout l’éclat de l’analogique grâce au magnétophone de deux pistes le plus populaire de l'histoire
Profiter de la saturation à bande classique d’Ampex, des différents types de bandes et d’une belle palette de couleurs pour apporter de la cohésion à votre mixage
Traiter votre son au travers de l’ensemble du circuit ATR-102, y compris ses transformateurs, amplificateurs, trajets de signal Repro, Sync et Input
Utiliser l’Extension LUNA ATR-102 pour produire des masters qui bénéficient de toute la richesse d’un magnétophone analogique
Le Magnétophone de 2 Pistes Professionnel le Plus Populaire de l’Histoire
C’est grâce à son authentique son homogène, sa dynamique et ses capacités à colorer et saturer le signal de façon subtile, ou drastique, que l’ATR-102 équipe les plus grands studios d’enregistrement et de mastering de la planète depuis 1976.
Le plug-in et l’Extension LUNA ATR-102 Mastering Tape Recorder reproduisent avec une parfaite fidélité la dynamique unique, la réponse en fréquences et la saturation du magnétophone original. Ampex Corporation a examiné en détail et a pleinement certifié le plug-in UAD ATR-102 dont le son est pratiquement impossible à distinguer de son ancêtre analogique.
Dorénavant Parfaitement Intégré au Système d'Enregistrement LUNA
Vous pouvez à présent utiliser l’Ampex ATR-102 sous la forme d’une Extension LUNA dans le Système d'Enregistrement LUNA. Il est intégré à la section de mixage de façon à ce que vous n’ayez pas besoin de gérer des fenêtres de plug-ins séparées. Il vous fait bénéficier de toute la richesse des sons haute qualité du magnétophone Ampex sur les bus et le master — avec la dynamique, la réponse en fréquences et la saturation authentiques de la machine originale.
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Contrôles du Calibrage et Types de Bande Authentiques
À l’instar de l’ATR-102 matériel, le plug-in vous permet de choisir entre plusieurs combinaisons de Trajets de Signal (Input, Sync, Repro), Vitesses de Bande / Égaliseurs de Compensation (NAB, CCIR, AES) et Formules de Bande (GP9, 456, 900, 250) — vous trouverez même une bande pour le grand public. Vous pouvez également régler la fonction de retard de bande Tape Delay pour créer des effets de Double Prise Automatique sur les voix, les guitares, etc.
Les Presets des Plus Grands
Laissez-vous inspirer par les presets d’utilisateurs de longue date de l’ATR-102, notamment Chuck Ainlay (Chris Botti, Mark Knopfler) Richard Dodd (Wilco, Robert Plant), Buddy Miller (Martina McBride, Emmylou Harris), Mike Poole (Keith Urban, Dolly Parton), etc. Utilisez-les comme point de départ et parsemez-les à l’envi sur vos mixages — vous serez émerveillé(e) par la superbe homogénéité sonore que seul un magnétophone Ampex peut produire.
5-Minute UAD Tips
Featuring the Magnetic Tape Bundle
“I set the UAD ATR-102 exactly the way my old Ampex machine is set up, dialed in the gains, switched back and forth… and the sound is nearly identical.”
– Jacquire King (Kings of Leon, Norah Jones, Cold War Kids)
“The UAD Ampex ATR-102 is my new secret weapon in my master buss chain, giving me the secret ingredient for that extra touch of flavor.”
– Ivan Barias (Musiq Soulchild, Jill Scott, Estelle)
“The Ampex ATR-102 Mastering Tape Recorder and Studer® A800 Multichannel Tape Recorder emulations give a nice edge to bass tracks.”
– Armin Van Buuren
“The UAD Ampex ATR-102 tape emulation really captures the hardware’s punchy saturation and chunky warmth.”
– Mike Poole (Robert Plant, Martina McBride, Buddy Miller)
“I've always used limiters and compressors on the mix bus to ‘glue’ the sound together, but I've never been able to achieve the kind of musical cohesiveness like I can with the UAD ATR-102.”
– Ryan West (Eminem, Kid Cudi, Jay-Z)
“All of the songs on the Garbage record, Not Your Kind of People were mixed with the Studer A800 plug‑in on all the drum channels. We also used the Ampex ATR-102 plug-in on the final mix.”
– Billy Bush (Garbage)
“The UAD ATR‑102 brings mixes to life with a 3D sound that no other plug-in has ever been able to achieve.”
– Adam Hawkins (Twenty One Pilots, Switchfoot, Keith Urban)Watch The Reviews
Avis clients
G. Schwab
11 mai 2023
Excellent plugin
This plugin has succeeded. It is excellently suited to give the mix a beautiful analogue colouring and to connect the different frequencies into a harmonious whole. The sonic possibilities...
En lire plusG. Schwab
11 mai 2023
Excellent plugin
This plugin has succeeded. It is excellently suited to give the mix a beautiful analogue colouring and to connect the different frequencies into a harmonious whole. The sonic possibilities...
En lire plusD. Going
5 avril 2023
Very pleased!
Really helps all the elements gel in a mix and unlike a lot of other tape plugins I've used it doesn't sound overly vintage-y if you don't need it to
En lire plusA. Rosell
29 mars 2023
Magic
Adds tons of flavor to any tracks or buses! Enormously versatile in sound and performance and it does the trick to get that...
En lire plusM. Hui
18 mars 2023
Love Tape Sound, But Hated the Hassle
Must say this is one of the reasons why I chose UAD as my interface system and use Luna as my DAW. Analog Tape and the machines like the Ampex ATR and studer sound great but I sure don’t...
En lire plus -
Avis clients
Ampex® ATR-102 Mastering Tape Recorder
R. Williams
Magic
Adds a true analog tone and excitement to a record!
G. Schwab
Excellent plugin
This plugin has succeeded. It is excellently suited to give the mix a beautiful analogue colouring and to connect the different frequencies into a harmonious whole. The sonic possibilities are manifold. However, with other UAD plugins, we are also, unfortunately the switches and knobs of the user interface are too small. Please UAD, develop larger and more grippy user interfaces!
G. Schwab
Excellent plugin
This plugin has succeeded. It is excellently suited to give the mix a beautiful analogue colouring and to connect the different frequencies into a harmonious whole. The sonic possibilities are manifold. However, with other UAD plugins, we are also, unfortunately the switches and knobs of the user interface are too small. Please UAD, develop larger and more grippy user interfaces!
D. Going
Very pleased!
Really helps all the elements gel in a mix and unlike a lot of other tape plugins I've used it doesn't sound overly vintage-y if you don't need it to
L. Cipriani
Good but with problems
The plugin sounds very good but most of the time, when reopening saved projects, the right channel has a significant drop in volume even with linked channels. I always have to slightly touch both "record" level and "reproduce" level to get back to normal functioning. Very annoying. Too many times I had to (re)bounce final mixes due to this problem. Without mentioning even worse problems when you have the plugin on the master channel and you keep mixing not realising you are working with an unbalanced stereo image. You can imagine.
A. Rosell
Magic
Adds tons of flavor to any tracks or buses! Enormously versatile
in sound and performance and it does the trick to get that extra analog sound I'm looking for!M. Hui
Love Tape Sound, But Hated the Hassle
Must say this is one of the reasons why I chose UAD as my interface system and use Luna as my DAW. Analog Tape and the machines like the Ampex ATR and studer sound great but I sure don’t miss the real thing. They are heavy, expensive, you needed to align, print tones if it’s going to another studio, tape was $200 a reel and no indie band could afford tape so I reused house tape at 15ips. I never even heard what 30ips sounded like. I hated owning tape recorders but you cannot deny the sound of it. I hated every emulation plug-in until now. I get all the tape sound benefits without all the hassle and the beauty of all this is you can use it natively now too.
M. Leo
Great also as a mixbus EQ
On top of everything else that's already been said about this plug in, sometimes I will use the shelves just to shape the high and low end of a mix. Especially the high end. Great way to brighten things up. A little goes a long way and depending on your bias and other settings it's easy to over do and land in shrill territory but at the same time you can lift quite a bit. Also good to sometimes go down to 3.75in for some sort of lo-fi effects and sound design.
A. Rosario
The Best Tape Compressor
My songs sound professional thanks to this ATR.
A. Rosario
The Best Tape Compressor
My songs sound professional thanks to this ATR.
D. Myrick
Get that chonk
Just love the way it pulls sounds together, can't describe it better than a chonk, not chonky, but a chonk.
J. Szeszel
My favourite.
Of all the tape emulations, ATR is one of my favorites. It has character and gives me what I expect from a tape.
V. Kozarin
Must Have For A Mix
It makes a big difference, sounds more refined just like a real record / recording. Absolutely must have it in your collection.
A. Hillman
Incredible
Just brilliant
A. Monov
ATR 102
Well, i ownd them all
from waves back to all the others and also own all spectrum of und Tapes. I must say, nothing is greater than this one. Believe me. I don't know how the hardware sounds, i hear it back in the day 1994. At this time i haven't any clu what thats means, cause i was just the musician boy recording. Now, ton of years later i can understand....you can hear it.R. Mendez
Amazing
Must have for mastering! Amazing saturation
T. MATSUMURA
my favarit one!
If you want good sound,
you have to try this plugin‼︎
you will encount special feeling!!S. Lopez
THE SAUCE
Can you dig it? Sucka!!!!
I. Voevodin
Excelent
Good
c. rosario
Warm sound
Love that old-school analog sound
