Ampex® ATR-102 Mastering Tape Recorder
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Ce n’est pas un album tant qu'il n’est pas masterisé sur un magnétophone Ampex.
Le plug-in UAD et l’Extension LUNA Ampex ATR-102 Mastering Tape Recorder apportent la ”touche analogique” finale à votre musique. Ils transformeront vos enregistrements en de véritables tubes. Pleinement certifié par Ampex Corporation et choix des plus grands professionnels partout dans le monde, le plug-in ATR-102 capture avec une parfaite fidélité la dynamique unique, la réponse en fréquences musicale et la saturation à bande de ce magnétophone Ampex de référence.
Apporter à vos mixages tout l’éclat de l’analogique grâce au magnétophone de deux pistes le plus populaire de l'histoire
Profiter de la saturation à bande classique d’Ampex, des différents types de bandes et d’une belle palette de couleurs pour apporter de la cohésion à votre mixage
Traiter votre son au travers de l’ensemble du circuit ATR-102, y compris ses transformateurs, amplificateurs, trajets de signal Repro, Sync et Input
Utiliser l’Extension LUNA ATR-102 pour produire des masters qui bénéficient de toute la richesse d’un magnétophone analogique
Le Magnétophone de 2 Pistes Professionnel le Plus Populaire de l’Histoire
C’est grâce à son authentique son homogène, sa dynamique et ses capacités à colorer et saturer le signal de façon subtile, ou drastique, que l’ATR-102 équipe les plus grands studios d’enregistrement et de mastering de la planète depuis 1976.
Le plug-in et l’Extension LUNA ATR-102 Mastering Tape Recorder reproduisent avec une parfaite fidélité la dynamique unique, la réponse en fréquences et la saturation du magnétophone original. Ampex Corporation a examiné en détail et a pleinement certifié le plug-in UAD ATR-102 dont le son est pratiquement impossible à distinguer de son ancêtre analogique.
Dorénavant Parfaitement Intégré au Système d'Enregistrement LUNA
Vous pouvez à présent utiliser l’Ampex ATR-102 sous la forme d’une Extension LUNA dans le Système d'Enregistrement LUNA. Il est intégré à la section de mixage de façon à ce que vous n’ayez pas besoin de gérer des fenêtres de plug-ins séparées. Il vous fait bénéficier de toute la richesse des sons haute qualité du magnétophone Ampex sur les bus et le master — avec la dynamique, la réponse en fréquences et la saturation authentiques de la machine originale.
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Contrôles du Calibrage et Types de Bande Authentiques
À l’instar de l’ATR-102 matériel, le plug-in vous permet de choisir entre plusieurs combinaisons de Trajets de Signal (Input, Sync, Repro), Vitesses de Bande / Égaliseurs de Compensation (NAB, CCIR, AES) et Formules de Bande (GP9, 456, 900, 250) — vous trouverez même une bande pour le grand public. Vous pouvez également régler la fonction de retard de bande Tape Delay pour créer des effets de Double Prise Automatique sur les voix, les guitares, etc.
Les Presets des Plus Grands
Laissez-vous inspirer par les presets d’utilisateurs de longue date de l’ATR-102, notamment Chuck Ainlay (Chris Botti, Mark Knopfler) Richard Dodd (Wilco, Robert Plant), Buddy Miller (Martina McBride, Emmylou Harris), Mike Poole (Keith Urban, Dolly Parton), etc. Utilisez-les comme point de départ et parsemez-les à l’envi sur vos mixages — vous serez émerveillé(e) par la superbe homogénéité sonore que seul un magnétophone Ampex peut produire.
5-Minute UAD Tips
Featuring the Magnetic Tape Bundle
“I set the UAD ATR-102 exactly the way my old Ampex machine is set up, dialed in the gains, switched back and forth… and the sound is nearly identical.”
– Jacquire King (Kings of Leon, Norah Jones, Cold War Kids)
“The UAD Ampex ATR-102 is my new secret weapon in my master buss chain, giving me the secret ingredient for that extra touch of flavor.”
– Ivan Barias (Musiq Soulchild, Jill Scott, Estelle)
“The Ampex ATR-102 Mastering Tape Recorder and Studer® A800 Multichannel Tape Recorder emulations give a nice edge to bass tracks.”
– Armin Van Buuren
“The UAD Ampex ATR-102 tape emulation really captures the hardware’s punchy saturation and chunky warmth.”
– Mike Poole (Robert Plant, Martina McBride, Buddy Miller)
“I've always used limiters and compressors on the mix bus to ‘glue’ the sound together, but I've never been able to achieve the kind of musical cohesiveness like I can with the UAD ATR-102.”
– Ryan West (Eminem, Kid Cudi, Jay-Z)
“All of the songs on the Garbage record, Not Your Kind of People were mixed with the Studer A800 plug‑in on all the drum channels. We also used the Ampex ATR-102 plug-in on the final mix.”
– Billy Bush (Garbage, Dolly Parton, Paul McCartney)
“The UAD ATR‑102 brings mixes to life with a 3D sound that no other plug-in has ever been able to achieve.”
– Adam Hawkins (Twenty One Pilots, Switchfoot, Keith Urban)Watch The Reviews
Avis clients
A. Dahlback
5 décembre 2023
Smooth
I have never met the original, but both Studer and Otari in the analog era. I myself own a wonderful Revox G36 with its typical saturated warm compression. This is in the...
En lire plusF. WILMOUTH
14 novembre 2023
Incredible sound on bus master
Ampex ATR-102 brings you an incredible touch for dreamy analog sound. A must have.
En lire plusN. O'Donnell
8 novembre 2023
Mix Magic Maker
The absolute best sounding mastering tape plug! Also a great slap delay maker….now if only UA made it Native all my problems would be solved?!
En lire plusM. Roark
30 octobre 2023
2-Bus awesomeness or lo-fi vibe on tracks
This plugin takes up some Sharc but it sounds great. The busted tape setting is so mangled and awesome. Jumping through the mastering settings as a jumping point for mixbus processing is...
En lire plusS. Dejkalo
9 octobre 2023
Bus or MasterTape?
Hi, in MasterTape and Bus are different presets. Why? Is it better to make the plugin in Bus or in MasterTape? Thx from Warsaw
En lire plus -
Avis clients
Ampex® ATR-102 Mastering Tape Recorder
J. Ruziev
Must have tape!
The best tape for mastering!
A. Dahlback
Smooth
I have never met the original, but both Studer and Otari in the analog era. I myself own a wonderful Revox G36 with its typical saturated warm compression. This is in the same class. Awesome.
F. WILMOUTH
Incredible sound on bus master
Ampex ATR-102 brings you an incredible touch for dreamy analog sound. A must have.
N. O'Donnell
Mix Magic Maker
The absolute best sounding mastering tape plug! Also a great slap delay maker….now if only UA made it Native all my problems would be solved?!
M. Roark
2-Bus awesomeness or lo-fi vibe on tracks
This plugin takes up some Sharc but it sounds great. The busted tape setting is so mangled and awesome. Jumping through the mastering settings as a jumping point for mixbus processing is fun. I will say though that on some settings, probably due to crossover, the mixes can sound a bit more condensed and less open. Overall though I love it. I'd say it works about half the time on the mixbus with little effort, and it's always cool as a stem or track mangler. That you can utilize variable EQ options really sets it above other tape plugins for me.
I have the Studer too, and more often reach for this. Tho tbf I reach for oxide the most bc it's least dsp heavy and simplest/fastest to use for tracks where I just want a tape saturation effect and not any mangling.S. Dejkalo
Bus or MasterTape?
Hi, in MasterTape and Bus are different presets.
Why? Is it better to make the plugin in Bus or in MasterTape? Thx from WarsawA. Sis
My go-to Mastering Tape Plugin
This is living on my Mastertrack. Great sounding and it’s giving that analogue feel I am heading for!
F. Hasan
MUST HAVE TAPE PLUGIN!!!!
you will not regret to buy it, ever!!!
I. Finney
Superb Tape Mastering & Tracking
Superb tape simulation and wonderful colouration for masters and tracking. This (and the Studer A800) both saturate in a completely natural analog way. The best tape plugins I've used.
J. Deschenes
Should have been the first
When I first got into purchasing plugins for my Apollo, I started with a couple verbs and a delay, API/Neve preamp, SSL bus compressor etc. I thought that I would eventually get around to a tape sim, but they were pricey for what I thought they did. When Oxide came out, I grabbed it in a sale and figured it would be good enough for tracking, and it was especially considering the low price. Fast forward to virus lockdowns when I had time to archive old multitrack recordings into digital from a loaned tape machine. I fell in love with the color, and warm compression that I had forgotten about. I promptly loaded up the ATR-102 demo, and swapped out the Oxide on all tracks of some recent material, and BAMMM! There it was. It was on sale. It should have been the first. It makes everything sound warmer, more harmonic. Lustrous. The oxide still has its place. I can crank it for more of an effect that is quite enjoyable.
S. Jackson
Must have plug-in for final touches on your track!!!
This plugin glues everything together so perfectly. I couldn’t imagine not using this on final mix from now on. This and the Studer A800 together is mind blowing.
O. Viamontes
Never knew tape saturation would be so crystal clear
Before I used to have the eight 800 in my master bus, just to give it some energy, but this takes it out of the park, never thought that these presets would be so amazing on the master bus chain. Thank you.UAD for a wonderful emulation.
J. Whitfield
Honestly incredible...
As a artist that is grateful that I have the ability to very thoroughly produce my own records, I've been obsessed with the idea of recording to tape for some years now. On my mixbus, to help the vibe when producing, I've always kept stereo-imaging plugins and a bus compressor. I demo'd the ATR and put it on my mix bus and im literally never turning back. The depth, tone, width, space, feel, energy that it gives a record is unreal. it doesnt sound like the real thing as evident by the shootout with Fab Dupont but until i can get to the real one, this is beyond amazing for my workflow and sound. I cant wait to bring this new project to the world with these new tools.
A. Buonazia
un plug in unico
per il mastering è un prodotto assolutamente di qualità e imprescindibile in ogni produizione
Y. Darma
No small talk
The best for mastering
S. Ramsay
That extra polish on the master
Really helps give it that last bit of warmth and polish on the master track. Use it on every song now!
S. Ramsay
That extra polish on the master
Really helps give it that last bit of warmth and polish on the master track. Use it on every song now!
R. Williams
Magic
Adds a true analog tone and excitement to a record!
G. Schwab
Excellent plugin
This plugin has succeeded. It is excellently suited to give the mix a beautiful analogue colouring and to connect the different frequencies into a harmonious whole. The sonic possibilities are manifold. However, with other UAD plugins, we are also, unfortunately the switches and knobs of the user interface are too small. Please UAD, develop larger and more grippy user interfaces!
G. Schwab
Excellent plugin
This plugin has succeeded. It is excellently suited to give the mix a beautiful analogue colouring and to connect the different frequencies into a harmonious whole. The sonic possibilities are manifold. However, with other UAD plugins, we are also, unfortunately the switches and knobs of the user interface are too small. Please UAD, develop larger and more grippy user interfaces!
