API® 500 Series EQ Collection

API® 500 Series EQ Collection

  • Vue d'ensemble
  • Caractéristiques
  • Avis Clients
  • 4.9/5
    (185 avis)
$299.00

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$299.00
4.9/5
(185 avis)

Vous n'avez pas d'article dans votre panier.

Les émulations des légendaires égaliseurs API
les plus fidèles au monde.

L'API® 500 Series EQ Collection pour plateforme UAD-2 et interfaces Apollo retranscrit fidèlement le punch, la transparence des basses fréquences et la précision des emblématiques égaliseurs API des séries 550A et 560.

Avec leurs courbes de filtre uniques, leurs interactions complexes entre les différentes bandes de fréquence et leur distorsion harmonique liée à l’ampli de filtrage hyper musicale, les égaliseurs 550A et 560 ont marqué de leur empreinte les enregistrements légendaires des années 60 et 70.

Minutieusement modélisée sur la base d’unités du début des années 70 fournies par Ross Hogarth et les Studios Capitol, l’API 500 Series Collection vous propose une reproduction fidèle de ces égaliseurs dont la réputation n’est plus à faire.

Vous pouvez maintenant :

Enregistrer et mixer avec des émulations de tous les circuits des emblématiques égaliseurs API 550A et 560

Exploiter les comportements musicaux de l'ampli de filtrage API en termes de distorsion harmonique et d'écrêtage

Utiliser le fameux facteur de qualité proportionnel propre à API, pour un contrôle plus précis de vos sources

Mixer avec des presets d'artistes comme Ross Hogarth (Van Halen, Mötley Crüe), Darrell Thorp (Beck, Radiohead) et Vance Powell (Jack White, Kings of Leon)

Égaliseur paramétrique 550A

Égaliseur paramétrique 550A

Sorti en 1971, le 550A était le module d'égalisation de série sur les premières consoles API. Ses trois bandes de correction paramétrique qui se chevauchent, son filtre passe-bande indépendant de 50 Hz à 15 kHz, et le choix individuel de réponse en cloche (Bell) ou plateau (Shelf) en font le parfait outil pour faire ressortir batterie et guitares au mixage.

Égaliseur graphique 560

Égaliseur graphique 560

Avec dix bandes de correction graphique, l'égaliseur 560 est idéal pour retravailler votre mixage avec une précision chirurgicale. Le comportement du facteur de qualité propre à API élargit intuitivement la bande à faible niveau d'amplification/atténuation et la resserre quand la correction est plus prononcée, vous donnant un contrôle fréquentiel sur votre mixage encore plus musical.

Caractéristiques Principales

Émulations logicielles premium sous licence des égaliseurs API de série 500 les plus importants

Égaliseur paramétrique discret de trois bandes en cloche/plateau API 550A

Égaliseur graphique discret de 10 bandes API 560

Modélise la totalité du trajet électronique, y compris les transformateurs et amplis op API 2520, l'interaction des bandes et la distorsion/écrêtage interne des filtres

Avalisé et sous licence d'Automated Processes, Inc.

Inclut des presets d'ingénieurs et directeurs artistiques de renom, notamment Vance Powell, Ross Hogarth, Carl Glanville, Jeff Juliano, Eli Janney et Darrell Thorp
Requiert une carte DSP UAD-2 ou une Interface Audio Apollo disponibles chez les revendeurs agréés dans le monde entier

Avis Clients

API® 500 Series EQ Collection

Evaluation Globale

4.9/5
(185 avis)

H. Hamilton

26 août 2013

not bad at all!

These eq plugins do a very musical job. Just a little sweetening is all it sometimes takes and these do it most nicely. They can also make some very agressive mods. I like the 560 a lot on guitar. Just a little extra high end a bit out of the middle and suddenly its the sound I hear in my head (which has obviously been trained by years of music shaped by API eq's). Well worth the money.

S. Simmich

12 juillet 2013

fantastic lo end !

As an owner of the Waves API bundle I had to think more than twice before buying the same emulation again.

After doing some mixes with the demos I had no other choice...
These plugins absolutely shine on drums, my personal favourite is the 560 for kick and snare and 550 for drumbus and bass.

Especially the tight and fat lo-end impressed me, there is a certain tone that no other EQ i own ( and that's quite a lot !) has.

The question if it sounds 100% like the original is not so important to me, but I have worked with HW 550s and I own a HW 2500 comp, so I can confirm that these plugins have the familiar API tone !

Great tools, great times for ITB processing !

I. Papagiannidis

26 juin 2013

Best EQ !

the warmest, smoothest EQ i ve ever heard in the software world...

nothing compares to it's sound!

low end- so warm without make the sound boomy ...
middle range brings the sound in your face and make it so clear and full of life and power
top end is a miracle .the soft distortion makes the sound so sweet and gives such character and opens up the sound

and a last thing ... it makes the sound sounds more stereo in a way...more open...with more definition ...

John Jeff Touch

Producer /singer/ songwriter

www.webartag.com

T. Crystal

17 mai 2013

Flawless Emulation of a Classic

We compared our 550's & 560's in our API Lunchbox to the UAD plugins and found that UAD has delivered another flawless emulation of a classic. 5 stars!!!

A. Theakston

8 mai 2013

560: My favourite UAD EQ

Couldn't really be more impressed with the 560 EQ - as others have mentioned, it's completely transformative. You can put sweet air back into anything, like a subtle little swiss army knife; but you can also do big broadsword cuts and boosts - and it just plain sounds good doing it.

A major usability tip I've not seen mentioned is the benefit of using a mouse with a hardware scroll wheel with the API plugins. You can HOVER the mouse over the dial and just click-roll the mousewheel to adjust the setting. Super easy and tactile to use.

But yeah, it kills me; I have a track I'm working on with 560 on the master bus, and though all good sense and reason says take it off to mix, I just can't. Without: dull. With: sweet, polished, done.

N. Afflitto

2 mai 2013

Nailed it.

These just kill. I demoed every eq in the UAD line and these were my favorite by far. The fact that you get two different eq's is also a big plus. It's hard to describe how exactly these compare to the other UAD eq's, but they are just fantastic. And compared to my vst's there is just no contest. So glad I have these.

M. Whatley

17 mars 2013

Hard to believe

I've used the hardware many times. It's hard to tell the difference and with the ability to recall settings on the plugin, I find myself going to it more than the hardware. These are the best plugin EQ's I've used by far.

E. Conesa

16 mars 2013

API EQ

This EQ is so good I don't touch anything else anymore.
From top to bottom this thing works wonders.
I might as well trim my plugin folder to just API EQ and a few other UA Plugins.

R. Music

11 mars 2013

simply better....

This plugin version of the API's are simply just great!
I have a good list of plugins that i've used through the years of mixing and producing but this just sounds right.
Why use or buy an EQ or compressor if it doesn't sound better on the source than what a "natural" compressor all ready does(?), or more correct they effect of what EQ and compression does.
The UAD API 560 does something musical and want-able on drums (and other stuff), has an amazing way of adding what I want in 90% of the case by just adding it to the CS, or sometimes take the parameters to the extreme, dosen't matter... cause it keep on sounding good... just like good hardware EQ's usally does.
REALLY good work you guys at Universal Audio!!!
// mike

M. Olsen

10 mars 2013

A river of tears of JOY

I could go on forever about how awesome these plugins are. The 550A is nothing short of perfection on bass. The 560 is equally impressive on just about everything else. Sometimes, if the EQ of the 560 doesn't benefit the channel, I bypass the EQ and leave the plugin on pass-through just for the added magic of the API modeling. These are two of the finest sounding emulations ever made. They truly sound like hardware. God knows I could never afford the quantity of these I have in any given session now.

If you are hesitating to buy these, stop hesitating.

R. Sokolovski

21 février 2013

PURE MAGIC

Therie is nothing but "pure magic" to say. One of the very best UAD plugs. Thank you all in UAD.

M. Gervasi

18 février 2013

Simple and effective

Just remixed a tune with new plugins and wanted a simple Graphic EQ. Demoed the API and it immediately did exactly what I wanted and sounds great. 300.00 seems a bit steep compared to what I paid for the Manley, Studer and Ampex but as soon as UA does another discount offer I'm grabbing it.

R. Baird

15 février 2013

In Your Face Punch

I have been patiently waiting for UA and Api to get this plugin to market since they first announced a partnership, and it was worth the wait. This eq has such a tight punchy Q great for drums, guitars, bass, and vocals you name it. This will add tons of character to your recordings. Lets see now if UA can get a 550B, 2500, or 527 compressor plugin into my DAW. Put it in the cart. Thanks UA and Api.

P. Macdonald

15 février 2013

Just what I needed!!!

Amazing EQ the 560 just makes things sound right!_

L. Hughes

15 février 2013

Superb!

Tried the 560 on a badly recorded guitar track and it was just what I've been looking for. I had a ridiculous EQ chain to try and improve the sound, now I only have the 560 and it sounds so much better. Can't wait to try this on other material.

M. Bolton

27 juillet 2013

Crisper Than Clean Sheets

Before having owned these two, I had been using the UAD Manley Massive Passive as my main go-to EQ. I used it for most all purposes, and I thought I was well off. In the past, I had demoed these a few times, but barely listen to them.
Then I got an API 512c preamp, and I loved its sound. So, I gave these another try in shootouts against the Massive Passive. They both made me find the Massive Passive to oftentimes be downright muddy in the low end.
The overall character of these — especially the 560 — is exactly as advertised: punchy and tight. Their top end has a specific sheen that takes a lot to get harsh. Heck, they'd be great for mastering, even.
I run a small home studio, and this was the best upgrade I've gotten in a long time.

C. Knox

15 février 2013

APIs Fatten & Clarify

Iv'e been using these puppies since UA dropped UA 6.5 on us...today!!!

I own the APi TCS and these emus are great - I'll be keeping the TCS tho, the 527 Comp and preamps are just to good in real life...

Now come on UA its time you got modelling some serious pr-amps for us all!!!!!

Meanwhile if you like punch clarity and flavour - hand over your cash to UA they are doing a great job as usual!!

S. Notghi

15 février 2013

API 560 IS AMAZING !!!

API 560 IS AMAZING !!!

It works on everything and can make dead horse come alive !

M. Bolton

27 juillet 2013

Crisper Than Clean Sheets

Before having owned these two, I had been using the UAD Manley Massive Passive as my main go-to EQ. I used it for most all purposes, and I thought I was well off. In the past, I had demoed these a few times, but barely listen to them.
Then I got an API 512c preamp, and I loved its sound. So, I gave these another try in shootouts against the Massive Passive. They both made me find the Massive Passive to oftentimes be downright muddy in the low end.
The overall character of these — especially the 560 — is exactly as advertised: punchy and tight. Their top end has a specific sheen that takes a lot to get harsh. Heck, they'd be great for mastering, even.
I run a small home studio, and this was the best upgrade I've gotten in a long time.

B. Jester

8 avril 2013

The Real Deal !!!!!!!!!

This will give the API 2500 OP feel all day long. The sound of rock n roll.