Analog Classics Pro Bundle
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Analog Classics Pro Bundle
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J. Ackerman
My eye rolling became a blank stare!
I've purchased my share of API 512C's etc lately & was under the impression that there did not need to be any additional "preamp treatment" on the drums I've become accustomed to recording, now that we have a really nice 25 year old set that has aged beautifully . . .
I noticed that UA was requesting a "review of my latest purchase" so I thought I'd see if the UA 610B was amongst my current plugin choices and sure enough, there it was . . . so I pulled up last night's drum tracking & I was really quite surprised almost immediately.
I added it to several of the drums and let 'er rip. After clicking a few presets (UA always has pretty great places to start with these things!!) I was in love with the 610B. Nice character & edge. Glorious!
J. Neale
What can a say!
This is the classic compressor. It is necessary in all studio situations. Sounds smooth, distorts as it is meant to and colours correctly. I always use uad rather than other brands as it really is the best sound.
M. Marantz
GREAT
Thanks UA for this killlllllllllller upgrade! No joke, this plug is a must have buss compressor if you are on UAD-2. The LF side-chain filter is the big ticket on this plugin. The overall sound of the 670 is beautiful and warm, but the LF side-chain filter allows you the kind of control over the low-end that we didn't have before in the Fairchild 670 MKI. With the MKII upgrade, you are able to control exactly what frequency the compressor begins working at, allowing you to hit it harder without inducing compression pumping. When I set out for a buss compressor, I needed one that covered all my bases stylistically, not just rock, not just acoustic. The Fairchild Pluging Collection (MKII upgrade) does that, and extremely well.
S. Beckham
My new favorite!!
Grit, shine, warmth, overdrive, tube like compression....all in a quick and simple and pretty package! I can always use more wood end cheeks !
B. Pratt
Fantastic!
The LA2 is super gentle and the Grey has its own character that makes it easy to distinguish from the Silver. Head and shoulders above the legacy LA-2A. With a coupon and the legacy owner pricing, this 3 compressor bundle is a no-brainier.
C. Byrne
JUST SO AWESOME,
So, after getting my new twin duo and playing with the 610b preamp I thought, "I wonder if the 610a sounds any different?" So I started the demo and WAM, instant electric guitar tone. I have a traynor amp that sounds good through any pre but somehow, the 610a just brings out the creaminess in the tone. Really warm and the low end is really fast and tight. I think I still prefer the 610b on bass but for guitar, it's the 610a all the way. If anyone is in doubt, just demo it. There really is a definitive difference in the two models and I'm loving them both!
B. Gallagher
nice box
It's early days but am enjoying the Fairchild collection. Love the Ocean Way bus setting in 660. Also some of the vocal settings in 660 and some of the acoustic guitar ones too. It puts a nice warm spread across the sonic spectrum while at the same time puling elements forward in the mix without E'qing.
S. Roberts
Please, Stop
Dear UA,
I am trying to complete my CD project. It was due out last fall. Then I tried the Ocean Way studio remix plugin and realized that not only did I need to buy it but I needed to remix my project through it.
Just when I though I was nearing completion of the remix, you released the Fairchild 660670 and Pultec EQ1-A reissues. Once again, back through all my mixes and redoing them.
Now here I am again with the 610 preamp. This plug is great for individual drums, bass and adds "something" extra to guitars. My guitar-playing brother describes it as "it takes that digital edge off the tone".
Anyway, if you could just wait till, say, May before you release anymore of these plugins I would appreciate it.
Thanks,
Steve Roberts
B. Alexander
Teletronix LA-2A
This is a warning to all. If you don't have the money to buy this plug-in then don't demo it because if you do you will be hooked. It is great!!! It is a warm beautiful sound. I can't see myself mixing vocals without it. Universal Audio you nailed it with this one.
J. Hiltz
Holy snare drum!
I used the Legacy LA-2A happily with my Apollo for many months, then decided to try these out. They are so good on snare its silly. I used the Legacy religiously on snare and now to have three options, all of which SMOKE the original is fantastic. I really enjoy the LA2 the most, but the others have their applications as well. They really bring out something special on snare, and all drums really. I prefer the 1176 on vocals but thats not enough to give these plugins anything less than five stars.
J. Hiltz
Get them!
I demoed these the first week I got my Apollo, and decided that the legacy version was good enough. I like the legacy 1176 better than any other comp plug I've tried. After spending several months with the legacy 1176 I decided to try out the newer ones again, and I was blown away. I guess I was just so impressed with the original that I didn't see the need to upgrade, but now I am very glad I did. All three have their own subtleties and they are all terrific. They keep up with my hardware distressor very well, and its nice being able to track with them on the Apollo with no latency.
J. Gay
Good character comp, Sidechain Filter and Mix help
Useful character compressor and an improvement over the Mk I.
Good for adding weight to drums and synths.
The side chain filter and mix knob are big timesavers. I hope these will be added to future dynamics plugins.
T. Stephane
More & More Again
More Better , More Precise , More Fat !!
Fantastique EQ
D. Solomon
another game changer
At this point almost every plugin UA releases is a game changer. It doesn't even matter how accurate this is to the hardware. This preamp sounds so good on everything that both my studio and live setups just got massively better.
X. Phuong
Sound excellent
Sound smooth and bright...but if it in a rack is perfect!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!