Dangerous BAX EQ Collection
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Peaufinez vos mixages avec un des égaliseurs les plus doux qui soient.
La Dangerous BAX EQ Plug-In Collection est un puissant outil pour l'élaboration et l'amélioration de la tonalité et du caractère de votre musique. Conçue pour être employée comme égaliseur de Mix Bus, la BAX EQ Collection est une authentique émulation de ce matériel incontournable, pour systèmes UAD-2 et interfaces Apollo.
Appliquer des réglages de correction doux et musicaux basés sur le légendaire circuit d'égaliseur des années 50 de Peter Baxandall
Débarrasser votre mixage des fréquences subsoniques indésirables, nettoyant ainsi le bas du spectre et augmentant votre marge de travail
Maîtriser la dureté des aigus tout en apportant simultanément de la clarté et de la transparence à vos mixages pour un résultat plus « aéré »
Accroître la profondeur et l’espace stéréo avec la fonction Mid/Side sur la version « Master » stéréo
“The Dangerous BAX EQ is my new favorite box to put across my whole mix. It lets me achieve that modern pop brightness without any of the usual sibilance or harshness. The super low-end is fat without being muddy.”
– Fab Dupont (Shakira, Santigold, Jennifer Lopez)Avis Clients
M. Ramos Jiménez
24 juillet 2022
Smile Sound.
I love this plugin to get the smile sound balance in master works.
En lire plusE. Ananda
23 juin 2022
Neat!
Love using this for a nice little tuck on my mastering sessions.
En lire plusR. Bouma
16 juin 2022
One of many colors and purposes
I hesitated a while but what made the final decision to buy this plug-in is the bottom end of the sub frequencies. It does nog have al lot of color but it does if you get me.. It’s...
En lire plusM. Wibberley
8 février 2022
BAX Dangerous
I wouldn’t master without this! Faithfully replicates the physical h/w. Powerful EQ adjustments can be achieved by the unique shelving options & Db levels offered to create pleasing...
En lire plus -
Caractéristiques Principales
Réplication parfaite de l'égaliseur analogique pour le mastering Dangerous Music BAX
Basé sur l'égaliseur légendaire créé par Peter Baxandall dans les années 50
Modélisation minutieuse du design, des schémas et du matériel de Dangerous Music
Filtre en plateau à large bande pour un caractère sonore naturel et aéré
Version "Mix" avec un seul jeu de contrôles, pouvant être appliquée à des sources mono, stéréo et multi-mono
Version "Master" avec des contrôles dual-mono et un mode M/S (Mid/Side) additionnel pour des possibilités accrues lors du mastering (la version matérielle n'intègre pas le mode M/S)
Mode de chaînage des contrôles (version Master uniquement)
Trim Supplémentaire en Sortie (gain transparent)
Requiert une carte DSP UAD-2 ou une Interface Audio Apollo disponibles chez les revendeurs agréés dans le monde entier
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Avis Clients
Dangerous BAX EQ Collection
M. Ramos Jiménez
Smile Sound.
I love this plugin to get the smile sound balance in master works.
E. Ananda
Neat!
Love using this for a nice little tuck on my mastering sessions.
R. Bouma
One of many colors and purposes
I hesitated a while but what made the final decision to buy this plug-in is the bottom end of the sub frequencies. It does nog have al lot of color but it does if you get me.. It’s between the Maselec and the Manley just another useful tool to handle specific frequencies for different genres by the needs of the moment.
l. jeffries
Wow
Amazing
M. Wibberley
BAX Dangerous
I wouldn’t master without this! Faithfully replicates the physical h/w. Powerful EQ adjustments can be achieved by the unique shelving options & Db levels offered to create pleasing bass / treble balance with sympathetic mids. A tool you wouldn’t think of necessarily but can’t live without once you use it! Harnesses in overtly bold bass &/or treble excess or just refines nicely for already modest stereo master mixes
E. Jegu
Amazing !
Top of the top in final touch ! 20/20
D. Fontel
Mastering chain
Hello UAD so will keep this short and sweet `EXCELLENT` you would be hard pressed to noice any difference from the headwear. UAD has completely changed the way I mix and master music. 100% game changing.. Thanks to you all..
G. Perez
Loving it
Good for my mix Lve it can use it anywhere
P. Preloznik
Great plugin
Great plugin for improving lo- or hi-end, mono-ing the bass etc. Probably, it will occur on each of my master-chains.
S. Vasiľ
Without phase
Super clean mastering eq with magic mid side sound without phase
J. Pedigo
This makes every mix and master better
It is truly an outstanding plug in that helps add clarity to every mix and master. it is purely magical
D. Mai
As expected!
Great stuff as usual.
All I am missing now is a full controller integration - for all uad products (I love softube, but...)
Still fully recommendable!J. Roberts
Love it!
I love it - it is everything the ads say and it was usable right away~
V. Pilon
EQ subtile mais parfaite
EQ subtile mais parfaite, pour du mastering sourtout mais aussi pour une strip de console.
M. Khora
Amazing!
I started using this eq as a Plugin Alliance version but stopped due to tech issues with my computer. After getting my computer fixed and my studio running I wanted it but I wanted to own it. I saw UAD had this. And as soon as it went on sale I pulled the trigger. Now this next to my Avalon 737 plugin and my Pultec Pro is my absolute killer setup. It’s my go to for every mix and master. I had a chance to hear the hardware a while back. This sounds better than the PA version and exactly like the hardware! I love this eq! Absolutely! It’s a great Smile EQ! Perfect for mastering and mixing.
UAD is miles ahead of the competition.Utilisateur UAD
Does what you need it to do
Been using it for some Masters recently. The Mid/Side capabilities are really useful, especially the volume balance knobs. Quick for readjusting a mix and creating width. The EQ has a very subtle sound which is awesome, not at all harsh.
S. May
Smooooooooooth
It works so well I tried it on everything it has great character. Wow
C. Bruce
Amazing
I started a mastering company using this... it’s that good.
K. Morris
Indispensable m/s EQ
The "Master" version of this plugin, in m/s mode, has become a staple in my mixes when I want to enhance stereo presence.
N. Bluhm
Apparently not everyone's first choice for mixbus/mastering chain, but became one of mine.
I watched Luca Pretolesi mix Major Lazer on Puremix, and was intrigued by his use of Dangerous hardware, so I decided to try out the plugin version. I now use the BAX on almost every mastering chain. The way it was described to me, Baxandall curves are the kind of eqs that home stereos in the 90s used for the "smile" eq. I guess somewhat similar to the Pultec in that they are both "smile" eqs with gentle, wide bands, the BAX seems to bring out more meat specifically in my kick drums than the Pultec, and also allows me to lift the sides without compromising the center. Don't ask me too much about the science behind why this curve sounds good or how it differs from the Pultec. The HPF is also very nice in that I can eliminate more of the lows on the sides than in the center, which is as it should be from my understanding. I really, really like this plugin.
