TELETRONIX® LA-2A Classic Leveling Amplifier
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Fidèle à l'original, le célèbre compresseur
électro-optique T4 amplifié à lampes.
Depuis plus de 50 ans, le Teletronix LA-2A est apprécié pour sa compression douce, naturelle, musicale. Avec son système unique d'atténuation électro-optique amplifiée par lampes, permettant une réduction de gain instantanée sans augmentation de la distorsion harmonique, le LA-2A gère les signaux comme aucun autre compresseur ne l'a jamais fait.
Doter le chant, la basse, la batterie et autres des légendaires textures de compression optique à lampes
Enregistrer vos pistes au travers de circuits vintage UA, « fabriqués à la main aux USA »
Ajouter aisément cette chaleur et cette limitation emblématiques des lampes avec des commandes simples, faciles à utiliser
Enregistrer et mixer avec un appareil d'anthologie dans l'histoire de l'enregistrement audio
L'histoire du Teletronix
Jim Lawrence, fondateur de Teletronix, a utilisé des cellules photoélectriques pour la première fois au début des années 1960 afin de contrôler le gain audio. Son ingénieux concept de compression optique a été une révolution technologique, dont la stabilité et la transparence dépassaient de loin celles des circuits existants. Le fondateur d'Universal Audio, M.T. « Bill » Putnam, racheta plus tard cette technologie brevetée, pour continuer à fabriquer le LA-2A durant les années à venir.
La bonne affaire
La réédition de ce classique qu’est le compresseur amplificateur Teletronix LA-2A d'Universal Audio, offre les performances caractéristiques de l'emblématique matériel d'origine. Chaque nouvelle unité LA-2A est minutieusement câblée à la main point par point à Scotts Valley, en Californie, l'authenticité de chaque composant étant soigneusement évaluée. Résultat : le LA-2A actuel apportera à tous vos enregistrements cette compression légendaire caractéristique de l'original.
Exigez l'original. N'acceptez aucune copieAvis clients
J. Linley
2 décembre 2021
I’ve never used the real Analog version
How is this plugin free with the Apollo units? Well I’m glad it is . This plugin alone is well worth the price of all Apollo interfaces. Buttery smooth sound on my voice over recordings....
En lire plusH. Verma
19 septembre 2020
Beast
An amazing emulation which sounds extremely identical to the hardware like nothing else!!
En lire plusM. Malinski
23 août 2020
Complement to the studio
Great on bass, great on vocals, just great on everything you can imagine. I own the real thing and I must say that it sound very close to the real thing. How? A much better than the...
En lire plusY. Vergara
12 janvier 2020
Simply the best!
It is hard to make things so bad with the LA-2A. The tone and level control of this unit is just superb.
En lire plus -
Key Features
Fidèle à l'original aussi bien dans la conception que dans la fabrication et les performances
Système d'atténuateur optique sans décalage ni distorsion
Moins de 0,5 % de distorsion harmonique totale 0 à 40 dB de limitation de gain
Interconnexion stéréo symétrique
Réponse en fréquence de 30 à 15 000 Hz, 1 dB
Niveau de sortie de 10 dBm et gain de 40 dB Bruit faible – moins de 70 dB en dessous de la sortie ±10 dBm
Fabriqué à la main aux USA, avec 1 an de garantie limitéeTechnical Specifications
Impédance d'entrée
50, 150, 250, 600 ohms
Impédance de charge en sortie
50, 150, 250, 600 ohms
Connexions externes
Barrette de bornes Jones et connecteurs XLR
Réponse en fréquence
+0/-1 dB 30 Hz à 15kHz
Gain
40 dB ±1dB
Niveau d’entrée
+16 dB maximum
Niveau de sortie
+10 dB nominal, +16 dB maximum
Distorsion
Moins de 0.5% de distorsion harmonique totale (0.25% caractéristiques) à ±10 dBm
Niveau de Bruit
70 dB en-dessous de +10 dBm en sortie
Temps d’Attack
10 microsecondes
Temps de Release
0.06 secondes pour un relâchement de 50%; de 0.5 à 5 secondes pour un relâchement complet
Indicateur de niveau
Réduction de gain en dB et niveau de sortie en dB
Alimentation nécessaire
35 watts, 120/240 volts, 50/60 Hz
Conditions d’utilisation
Température maximale pour le fonctionnement 70°C
Dimensions
Châssis pour le montage rack 19", 3U
Poids
6kg
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Avis clients
Teletronix® LA-2A
J. Linley
I’ve never used the real Analog version
How is this plugin free with the Apollo units? Well I’m glad it is . This plugin alone is well worth the price of all Apollo interfaces. Buttery smooth sound on my voice over recordings.
H. Verma
Beast
An amazing emulation which sounds extremely identical to the hardware like nothing else!!
M. Malinski
Complement to the studio
Great on bass, great on vocals, just great on everything you can imagine.
I own the real thing and I must say that it sound very close to the real thing.
How? A much better than the products of other leading companies.
Thank youUtilisateur UAD
The best
One of the most applicable compression plugins there are.
Utilisateur UAD
The best
One of the most applicable compression plugins there are.
Y. Vergara
Simply the best!
It is hard to make things so bad with the LA-2A. The tone and level control of this unit is just superb.
J. Minimal
Teletronics LA-2A
When only the best will do.
M. Draeger
LA-2A for EU-Market?
How can a unit, any kind of unit, turn a good sound into a better sound? To me it is not logic, but I have to admit, the LA-2A d o e s a marvellous job, even at spoken text.
I use Neumann U67, Telefunken V72, then LA-2A - no questions left, no drive to search for any other solution.
Big question: Why isn't the LA-2A available in Europe?
Why not offer a 220 Volt version, straight forward to the EU-Market?
Regards from Luebeck/ Germany, Matthias DraegerA. Mořkovský
Teletronics LA-2A
This compressor is one of the Best things I use every time when I record Vocals. Also this piece comes handy for Bass or Guitar while mixing them up. Yeah it’s easy to understand how it works. I also tested this particular one with Waves emulation and I have to say that UAD version has some kind of analog flavour on it, so for me this is the Best weapon out there ;-)
r. avni
TANKS
TANK YOU
J. Cummins
Wow !
The magic sauce has landed ! Perfect in so many ways...........
R. Woitowitsch
Awesome!
Transparently Awesome! Just get it!
G. Mentesh
The most amazing gear in my rack!
Even though it is the new and not the vintage version (I heard so much about referencing the versions..) it's still blows my mind and adds an amazing sub harmonic magic to every channel you're putting it on. since I got it it's my vocals, bass tracking go-to.. (chained after my 1176 compressor)
always the right choice for my mixes as well.. can work almost on anything. pure joyA. Otuzbir
TELETRONIX LA-2A
ba75-c8d7-eb6f-ceaa-3b65
T. Hinterholzinger
There is nothing to improve on an already perfect design...
The LA2A is plain magic. Just try to compress a voiceover with a low male voice, and compare the hardware vs. any software modelling solution. You'll see... Same goes to electric bass... And if anybody tells yoou that optos are not for drums, try it on bassdrum just once, and the judge on your own!
N. Franks
I'll say it a million times.
This is the plug you want to get out the gate when you start UAD. It's utility. Between this and the Fairchild are $. The others are as well but this will truly show you the epitome of UAD sound and power. Just a magical little plug
a. Cortez
It ain't the same without the LA2A!
This vintage limiter/compressor is by far the best around. The way way the vocals. Sound so warm and the way they melt on a record is Extra ordinary, I run my neaumann mic thru my Avalon 737 to he LA2a and the results are very impressive . I don't think I could ever record anything with out it. I adds that extra element to every recording it's a must buy if you want that radio sound and clarity .
M. Giorgi
Simply the best
I can't imagine recording a voice without that compressor. I used it with a preamp neve 1272 and a sony c800g microphone...what else ?!
I. Duarte
The best ever !!!!
I have used this compressor in many studios and in all kinds of stiles all over the years, but only now I had the chance to by one of my own an I have no words to describe how happy I am.
One thing is more than clear, I won't sleep tonight. lolD. Ralph
Beautiful
Ive only ever used one hardware LA2A in my life, that is the new RI i bought last week.
The sound is amazingly lush and rich, the distortion on some sources just makes you melt.
The new LA2A plugin pack is fabulous, but as they say; close but no cigar.
I love this compressor, its beautifully made also and feels like a tank.
I use it for guitars mainly, but also some percussion, pretty much everything i send it comes back better.
LOVE IT LOVE IT LOVE IT!
