Plug-In Ocean Way Studios
Bienvenue dans Ocean Way Studios – le premier plug-in de modélisation dynamique de studio au monde.
Développé par Universal Audio et Allen Sides, le plug-in Ocean Way Studios pour systèmes UAD-2 et interfaces Apollo réinvente le possible en matière d'émulation d'espace acoustique.
En combinant des éléments de modélisation de salle, de microphone et de source, Ocean Way Studios va au-delà des lecteurs et reverbs à réponse impulsionnelle standard – vous donnant une réplique authentique de l'un des plus célèbres studios d'enregistrement du monde.
Vous pouvez maintenant :
Enregistrer en direct ou mixer comme dans les légendaires Studio A et Studio B d'Ocean Way Recording
Utiliser « les meilleurs des meilleurs » microphones vintage de la collection d'Allen Sides, de renommée mondiale
Choisir parmi les positions préférées d'Allen Sides dans la salle avec 8 types de source, pour des comportements de dispersion sonore d'une précision incroyable
Positionner, mélanger et traiter trois paires de micros (proximité/moyenne distance/éloignés) en temps réel
Conserver la reprise des micros, l'effet de proximité et autres comportements naturels pour un réalisme allant bien au-delà des autres plug-ins de reverb/ambiance
Refaire la prise de son de loops et de synthés virtuels pour leur donner de la vie
5-Minute UAD Tips
Plug-In Ocean Way Studios
Les pièces de légende d'Ocean Way
De l'ouverture par Bill Putnam de United Recording en 1957, suivie de l'annexion du Western Studio voisin en 1961, et jusqu'à leur réinvention comme Ocean Way Recording sous l’égide d'Allen Sides, les célèbres « Studio A » et « Studio B » d'Ocean Way Studios ont façonné le son d'un nombre incalculable de disques devenus des classiques. De Ray Charles et des Beach Boys aux Rolling Stones en passant par Radiohead, les créateurs de musique ont recherché pendant plus de cinq décennies le son de ces salles superbement équilibrées.
Modélisation dynamique de salle – Une avancée capitale pour le traitement audio
Ocean Way Studios réinvente le traitement de l'ambiance grâce à la modélisation dynamique de salle (« Dynamic Room Modeling »), une technologie exclusive d'UA qui combine le traitement des signaux et des techniques de pointe pour les mesures. Alors que les effets de réverbération à convolution standard ne fournissent qu'un instantané sonore, la modélisation dynamique de salle offre tout le spectre des possibilités d'ambiance d'un studio.
Plus précisément, elle apporte les propriétés de dispersion uniques des diverses sources, telles qu'enregistrées au moyen de différents microphones vintage qui peuvent être placés dans chaque salle – en temps réel – via une simple interface par cliquer-glisser. Cette technologie donne au plug-in Ocean Way Studios un niveau de réalisme sonore bouleversant.
Une incomparable collection de microphones à votre disposition
Avec un accès virtuel à 250 000 $ de microphones vintage triés sur le volet, les configurations de microphones d'Ocean Way et les commandes de distance sont les pièces maîtresses du plug-in. Les configurations capturent les sélections et les placements de microphones idéalement adaptés à chaque salle et type de source.
Chaque configuration dispose de jusqu'à trois paires de microphones vintage (proximité, moyenne distance, éloignés), ce qui permet des mélanges sonores créatifs. Cliquez sur les microphones et faites-les glisser pour les positionner dans le studio, puis corrigez et filtrez leur son comme vous le souhaitez – tout cela de manière complète avec la reprise des micros et les effets de proximité.
Transformez les sons avec les modes Reverb et Re-Mic
Ocean Way Studios offre deux modes de fonctionnement : le mode Reverb, qui utilise des circuits de départ/retour pour mélanger les signaux secs et les signaux d'effet, et le mode Re-Mic, pour immerger complètement le son source d'origine dans les studios Ocean Way. Le mode Re-Mic est, par nature, complètement traité par l'effet et peut être utilisé pour remplacer entièrement les sons de votre salle et de vos microphones d'origine par le légendaire son
“Ocean Way Studios instantly adds incredible depth, size, width, and vibe to your music. It's like owning a re-amp box for one of the best sounding studios in the world.”
– Jeff Juliano (John Mayer, Shinedown, Train)
“The Ocean Way Studios plug-in sounds so good and has the right amount of flexibility. The workflow mimics the actual choices at the studio very nicely…it sounds authentic and rich — like those rooms with those mics.”
– Joey Waronker (Atoms for Peace, Beck, Other Lives)
“The Ocean Way Studios plug-in lets me mix with a new sense of space, adding a whole new level of depth to my mixes.”
– Andrew Dawson (Kanye West, Jay-Z, Fun.)
“Every session I've done at Ocean Way has been an unparalleled experience with amazing results. The plug-in offers an incredible opportunity to realistically add those sonics to any musical project with stunning realism.”
– Richard Chycki (Rush, Aerosmith, Dream Theater)
“It’s great to finally be able to add a real room vibe to sounds that otherwise didn't have one. The Ocean Way plug-in helps bring a mix together with depth and space.”
– Ryan Hewitt (Red Hot Chili Peppers, The Avett Brothers)
“I assumed the UAD Ocean Way Studios was a reverb, but it's way more than that. I've been down the rabbit hole since I installed it and I'm not ready to come out yet.”
– Andrew Scheps (Adele, Red Hot Chili Peppers, The Duke Spirit)
“Hearing drums through Ocean Way Studios plug-in is like being transported to Ocean Way! The true sound of Studio A or Studio B applied to anything I want.”
– Chris Dugan (Green Day, Iggy Pop, U2)
17 avril 2014
In 2 weeks, I am just scratching the surface with the UAD- Ocean Way plug-in. The obvious problem with project studios is the lack of coherent space in the individual tracks and in the...En lire plus
11 avril 2014
BETTER THAN MY LEX!!!
I bought my first Lexicon reverb about 6 months ago. After using the reverbs in Studio One, Pro Tools, Ableton, Reason (and various free ones), I was blown away! It had sweet, smooth...En lire plus
20 mars 2014
I didn't believe this would work.
I was skeptical with this plugin. I didn't think it would sound like room mice but more like a reverb. I figured it was going to be a very high quality reverb but not mice in a room. I was...En lire plus
18 février 2014
OK, it's better thn I thought
This is a revision. Now that I have bought this plugin I find myself using it a lot more than I thought I would. It is, in fact, different from other convolution reverbs, which I didn't get...En lire plus
23 octobre 2013
I read a review somewhere about this plugin, and looked forward to trying it so I could put my tracks in the famous Ocean Way sound. I loved the sound on strings, a piano, guitars and...En lire plus
22 octobre 2013
Making everything alive
The plug-in makes dead Drum machines alive (as opposed to real drummers that always die at the end)! ;-) Also dry speaking voices finally get a great home. Dry/Wet level to 1-2% is...En lire plus
Émulations acoustiques exceptionnelles des légendaires Studio A et Studio B d'Ocean Way Recording
Modélisation Dynamique de Pièce combinant la reproduction des pièces, microphones et sources pour un niveau de réalisme sans précédent
Intègre des profils sonores de microphones vintage provenant de la célèbre collection d'Allen Side
Inclut les effets de proximité et de repisse des micros pour un niveau de précision sans égal
Choisissez entre huit types de sources (instruments / voix) avec des modèles de projection uniques
Réglez la position et le mélange de trois paires de micros vintage (proximité/moyenne distance/éloignés) en temps réel
Utilisez le mode "Reverb", mixez les signaux non traité/traité (wet / dry), remplacez le son originel de votre pièce et de vos micros
Une sélection de micros, de placements et d'orientations créatives choisis par Allen Sides des studios Ocean Way
Requiert une carte DSP UAD-2 ou une Interface Audio Apollo, disponibles chez les revendeurs agréés dans le monde entier
Ocean Way Studios
Problematic but amazing utility
I would rate this a 5 if it weren't for its downsides, which unfortunately means at this point its a 3 star rating.
This is a superb sounding utility plugin, does amazing things to dull sounds, makes them feel alive and warm and can be many things to many people depending on how its used. Really, an excellent concept and end result.
But it has technical problems that greatly diminish me using it in my workflow - yes, as others have said it is a resource hog, but that is something at least in my situation with an Octo card I can work with - but its unfortunately the CRASHES I've experienced with this plugin that make me shiver in fear of using it. Too many sessions crashing due to activating multiple instances, with plenty DSP to spare :/
In 2 weeks, I am just scratching the surface with the UAD- Ocean Way plug-in. The obvious problem with project studios is the lack of coherent space in the individual tracks and in the overall mix. Ocean Way offers a great way to bring big studio space to small studios. I is very well thought out, and sounds amazing, and I haven't even tried a surround mix yet (I am retired from orchestrating and conducting, often in large sound stages). It is not a 'one-size-fits-all' plug-in, and you need to know what you are doing. You also have to take the time to learn the spaces and mics offered and how to implement them in your particular situation. That said, I believe this is the single most ground-breaking plug-in I have ever worked with.
BETTER THAN MY LEX!!!
I bought my first Lexicon reverb about 6 months ago. After using the reverbs in Studio One, Pro Tools, Ableton, Reason (and various free ones), I was blown away! It had sweet, smooth reverbs that made everything sound good. What could be better?
Umm....OCEAN WAY STUDIOS plugin, that's what! I love the sound of this plugin....and it's more than just a reverb. I've never been to Ocean Way, but I HAVE been to Abbey Road and this plug is what I imagine OWS to be.....simply AWESOME sounding! Controlled, but natural reverb at its best. Oh, and the reamping bit with other mic choices is brilliant!!!!
Thank you UA (and Ocean Way) for sharing these amazing spaces in an easy-to-use plugin. I'm in heaven!
- Matt M.
I didn't believe this would work.
I was skeptical with this plugin. I didn't think it would sound like room mice but more like a reverb. I figured it was going to be a very high quality reverb but not mice in a room. I was wrong. I can use these as room mics and treat them as such. No more trying to mask the room I recorded in with heavy EQ/ Compression/ FX I will just pull this plugin up and so many of my problems are gone. Well done UA.
OK, it's better thn I thought
This is a revision. Now that I have bought this plugin I find myself using it a lot more than I thought I would. It is, in fact, different from other convolution reverbs, which I didn't get at first. I wish the plugin were more flexible (more mics) and the interface more fun (cannot drag the mics around), but it really does sound a lot like recording in the room--as intended.
The "replace the microphone" technology is a little suspect (how could it possibly replace the sound of an actual microphone?), but it does something--I know not what--that sounds good on may things.
All in all, a useful plugin, if rather pricey for what it does.
I read a review somewhere about this plugin, and looked forward to trying it so I could put my tracks in the famous Ocean Way sound. I loved the sound on strings, a piano, guitars and especially drums, but when I ran a poorly recorded vocal track through the plug in its "REAMP" mode I discovered the best unexpected benefit imaginable. The track, with its poor tone, came to life as it was "reamped" through Ocean Way's AKG C12. The resonance of my room, accenting certain lower mid frequencies, disappeared and the tone got sweet and silky. A useful plugin suddenly became indispensible. Love it.
Making everything alive
The plug-in makes dead Drum machines alive (as opposed to real drummers that always die at the end)! ;-)
Also dry speaking voices finally get a great home. Dry/Wet level to 1-2% is enough in my case.
Because I use a 27 "screen it would be great if I could zoom the Plug-In for a better view. In the evening my eyes are sometimes very tired when I have to adjust things so small on the screen.
Ocean Way Studios
really nice, three-dimensional use it a lot with great effectiveness
Glue. Glue. Glue.
Some say you can get similar results by messing around with convo verbs. Not sure, haven't tried myself. But I do know that this thing gives EXCELLENT results, very quickly, and that means a lot in my world. I don't want to have to TRY. I want my tools to "do stuff" for me right out of the gate and this thing does that. Put it on drum overheads and it's as if those drums were done in that room. Very realistic IMO and a powerful tool in the right hands.
One of the most useful plugins i have used so far
This is my first review of UA software, but i felt i needed to give some credit here. I was reluctant to purchase because i didn't realize the real value at first: the Re-Mic mode and the ability, to bring virtual instruments to life.
There are convolution verbs out there that sound great, and if your source was recorded with the right way, this probably gets you close to the 100%. However if you are dealing with a lot of virtual instruments that sound "ok" but not "real", in the end it is only going to sound like an "unreal" instrument with a nice verb.
This plug makes it sound real to me. You have all flexibility to tweak the sound to your taste. -1 star for resource consumption, please make an SE version.
Chris - www.listen2unique.de
much money for a plugin environment
very good plugins, is the closest thing to being at ocean way studios but as it is the economy in Spain and the music is too expensive for a plugin environment
Another tool to pick from
Yep, overpriced as has been mentioned many times but it does add a dimension that I haven't been able to create from any other plug in. At least in a reasonable amount of time and effort.
I've never recorded at OWS so I can't say it sounds like you're recording in a great room- for my purposes the comparison is useless and nothing more then marketing. If it sounds good and gets the job done I couldn't care less what it's modeled after. As a reverb it does a great job of creating space around a sound source- that's all I need to make it a valid tool.
As for remicing- well it's interesting but basically you're using OWS mics to record what your own mic recorded. It's not like putting a C12 on your amp, it's like putting a c12 on your 414.....
Speechless, Without Words!!!
In my opinion this is UA's best offering yet via the powered plug in world. Teaming up with Ocean Way was more then genius or any word close for that matter. The warmth, the room molding, mic ability... the list go's on & on but I don't want to list too much more because I have to get back to Ocean Way via my Home Studio!
Good but resource hog.
It's cool & has great potential but uses up too much of my 2 UAD Quad cards. If you use it, don't expect to use a lot of other UAD plugins with it.
Ok I'm stumped!!! In a good way
The re-mic option is insane! I used one of the most advanced piano sample libs in my track that was VERY busy and wanted to have a solo piano and NOTHING I had worked so I picked the closest one to match the overall sound and it still stuck out of the mix... After I used this plug in a remic function, I was able to reposition this piano in a way that it became a part of the song like it was supposed to, and it took a minute of tweaking! I think it's a one of a kind plugins, there's nothing out there that can fool you and make u think it was meant like this!
OWS in a plugin?
I thought long and hard before i demoed this plugin as I use IR reverbs already and wasn't sure that this would offer much more. I have most UAD plugs and felt that i probably had most situations covered, although I would say UAD guys if you are reading this - 'Please make a mutronics mutator plugin!'
This plugin actually adds a lot to my sonic arsenal and has been used mainly this week on drum bus, but we also used on vocs. It adds something to the sound more than a reverb and an EQ or even a mic IR. Perhaps its voodoo or alien technology, but however this was created this has become an indispensable mixing tool, more than paying for itself this week alone as clients love its sound so much!
Really Amazed by Universal Audio once again!!!
Excellent plugin for 2013! I cannot believe how much detail UAD have put into this plugin. For the price they're asking, It's worth it!
You can re-mic or reverb the Room according creating chambers to suit what you're trying to achieve in a mix.
When I use this plugin, I mainly use it in context of reverb of a room.
Sonic albums like 'Birds of Tokyo' have that nice big and open drum kit which I feel this plugin has enabled me to recreate, that room ambience one would dream of!
I highly recommend this plug-in if your trying to achieve reverb ambience or re-mic feature treating dead spots in an untreated room.
Love it guys!
Mick | Slightly Left of Centre
Our new Secret Weapon!!!
OMG UA has done it again! We finally got our Room back up and running again after Sandy. We had a great session then moved into the control room. brought our tracks up with only UA plugs inserted and got it sounding great. Then I authorized the Ocean way Plug and inserted it, my partner played with it for 2 minutes and turned to me and said
"You realize this is our new secret Weapon Right"? I just smiled, shook my head and said yeah I know. I hadn't even run the Demo, I know better, any time I run the Demo's I end up buying the plug anyway, so I'm like, Why Bother!
Big Thumbs UA! Were off to Ocean Way without an airline ticket! Just Awesome!!!!!!
This plugin sounds great. Very flexible and easy to use. The room sound reacts very realistically and dynamically, it even sounds good with compression. It is not the real thing, but in a mix, it gets a hell of a lot closer than anything I've tried. I just finished recording a trumpet player do multipe overdubs. This plugin was able to give me incredible results in remic mode to make it sound as if it was a horn section playing live together in a room. Gorgeous on drums too. I think UA nailed it on this.
A "Real" Room
As an old analog engineer (many years in a good sized room with a 24 track 2 inch) I developed a taste for real spaces. Now I live in a great sounding but small space and have tried "everything" to turn digital reverb (IR and Algorithmic) into real rooms. With varying results, especially on drums. It always sounds like "dry + wet" to me.....
Re Mic mode as an insert on the drum bus is astounding. There are enough options of mics and placements that you can really evoke a space that fits almost any production that is supposed to sound like players in a real room. Digital pianos, vocals, guitars all really benefit but the drums.... the drums.... did I mention the drums? Now I find myself adding back a LITTLE dry.... :^)