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Plug-In Marshall® Bluesbreaker 1962

Plug-In Marshall® Bluesbreaker 1962

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  • Vue d'ensemble
  • Caractéristiques
  • Avis Clients
  • 4.6/5
    (56 avis)

Prix tarif : $199.00

$99.00

Vous économiserez 50%

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Prix tarif : $199.00

$99.00

Vous économiserez 50%

4.6/5
(56 avis)

Vous n'avez pas d'article dans votre panier.

Un combo emblématique qui a changé le son de la guitare blues/rock.

En 1966, dès les premières notes de l'album Blues Breakers with Eric Clapton de John Mayall, il fut évident que le son clair de la guitare rock ne serait plus jamais le même. L'approche agressive de Clapton et sa sonorité pleine et chantante faisaient découvrir au monde le splendide son d'un ampli Marshall poussé dans ses derniers retranchements.

Développé par Softube – et disponible exclusivement pour les systèmes UAD-2 et les interfaces Apollo – le plug-in Marshall Bluesbreaker 1962 est la première émulation du légendaire combo 2x12 employé pour cette session qui a fait date. Ce n'est pas qu'une émulation experte de ce classique britannique presque introuvable, c’est aussi un excellent système offrant de remarquables prises de son à plusieurs micros, pour composer les sonorités d'ampli avec la perfection du studio.

Vous pouvez maintenant :

Utiliser votre Apollo avec la technologie Unison™ pour enregistrer au travers de la seule émulation authentique de Marshall Bluesbreaker 1962 – sans latence

Ré-amplifier des pistes déjà enregistrées avec n'importe quel système UAD-2

Élaborer des sons d'ampli ayant la perfection du studio avec quatre micros et trois combinaisons de microphones différentes – à FET, à lampe et dynamique

Peaufiner vos sons de guitare avec 50 presets de Tony Platt, le mythique ingénieur du son d'AC/DC

Exemples Sonores

Exemples Sonores
UAD Tones & Techniques
UAD Tones & Techniques

UAD Tones & Techniques

Featuring the Marshall 1962 Bluesbreaker plug-in

La seule vraie émulation de Bluesbreaker

La seule vraie émulation de Bluesbreaker

Pour la modélisation du légendaire Bluesbreaker, Marshall a prêté aux ingénieurs de Softube un combo série 1 entièrement d'origine de 1962 – issu de la même série que le combo utilisé pour l'historique session de Blues Breakers. Softube a soigneusement émulé les haut-parleurs alnico, le circuit de trémolo et la double section de puissance KT66 de cet ampli évalué à plus de 30 000 $.

Les sons Marshall typiques…et plus encore

Les sons Marshall typiques…et plus encore

Avec son baffle open back et sa capacité à « ponter » les entrées pour créer des sons lampes de grande puissance, le plug-in Bluesbreaker est capable d'aller plus loin que l’overdrive « Claptonien ». Des sons clairs qui résonnent aux riches textures à la limite de la saturation, le Bluesbreaker est également à l’aise dans les styles pop et country.

Capturé par une légende

Capturé par une légende

Le producteur/ingénieur Tony Platt a enregistré quelques-uns des sons Marshall les plus emblématiques jamais couchés sur bande – notamment dans Highway to Hell et Back in Black, les grands albums d'AC/DC. Softube a fait appel à M. Platt pour capturer de magnifiques simulations de baffle et de microphones à l'aide de ses techniques d'enregistrement émérites et récompensées par plusieurs disques de platine. Vous pouvez choisir parmi 50 presets conçus par Tony Platt, ou confectionner vos propres sonorités.

Mixez trois microphones soigneusement positionnés

Mixez trois microphones soigneusement positionnés

Déployez la section Channel Strip du plug-in et composez vos sons avec la tranche de console qui offre un panoramique, un égaliseur graves/aigus global et une commande de niveau pour chaque microphone, permettant un réglage précis – à l'enregistrement ou au mixage. Peu importe le genre ou le type de guitare, vous disposez de tonnes d'options de modification, des sons pris ponctuellement avec un simple micro jusqu'aux hurlements sonores magnifiquement restitués par l'ambiance de la pièce.

Technologie Unison™ pour d'authentiques sons Bluesbreaker

Technologie Unison™ pour d'authentiques sons Bluesbreaker

L'interaction des micros de votre guitare avec l'étage d'entrée d'un ampli est cruciale pour restituer le son et les sensations offerts par l'amplificateur. Avec la technologie Unison d'UA, les micros de guitare des utilisateurs d'Apollo disposeront d'exactement la même charge d'impédance que s'ils étaient branchés à un Marshall Bluesbreaker vintage — une caractéristique que l'on ne trouve que sur les interfaces audio Apollo.

Caractéristiques Principales

Émulation parfaite de l'ampli combo vintage de référence Marshall Bluesbreaker 1962 avec trémolo, fabriqué en 1965

Sélection et placements des microphones réalisés par Tony Platt, capturés aux Strongroom Studios à Londres

Presets spécifiques réalisés par Tony Platt et l'expert des produits chez Marshall, Chris George

Trois combinaisons différentes de microphones possibles — à Lampe, FET et Dynamique

Quatre micros séparés par configuration, deux de proximité et deux de pièce

Tranche de console comprenant des faders de panoramique et de volume pour chaque micro

Contrôle direct de l'étage de gain et de l'impédance physique en entrée grâce à la technologie Unison



Avis Clients

Marshall® Bluesbreaker 1962

Evaluation Globale

4.6/5
(56 avis)

z. rene

30 mai 2021

Question

It’s sound muddy
??? I am not sure I like it

R. Chirinos

13 mars 2021

beast of an amp

Really great sounding ampsim, just would like to know why the bass is so boosted on this one, in compare of the other marshall plugins.

E. O'Brien

9 février 2021

UNIQUE capabilities - Thick yet CLEAN - SUSTAIN to die for - Shine on you crazy diamond!

I needed a sound for a delicate, ethereal but soaring "Gilmouresque" strat lead part, and I tried all my other amp sims first. Doh! The Tweed55, the Chandler GAV19, and the other hi-gain UAD Marshall models all had attractive qualities, but none of them SANG quite so sweetly, or responded so musically to my playing as the Bluesbreaker. A little messing with the jumper settings on the input (they are very important), and some radical maxed-out knob settings (don't be scared), gave me a clean yet VERY THICK compressed, powerful tone that seemed to sustain forever without any nasty distortion or fizz. It did need some EQ on the lower end to tame some of the boomy transients, which could be unpredictable (or super responsive?) but the end result was blissful, and I seriously wonder if I could have got that sound through another amp sim. LOVE IT! I do own and play live through a couple of hand wired vintage Marshall and Fender "clones", and I love high voltage gear, but for recording the flexibility of plugins is unbeatable. If you want to hear the track, it's called "Float" and you can listen at AudioNetwork.com

G. Moshier

14 janvier 2021

AWESOME AMP... When used certain ways

I was initially unexcited when I demo'd this amp. I'm not much of a Marshall guy and I've got a Kemper for most things. But I messed around with the room mics and I was floored! This is a perfect amp sim for that bluesy overbassy muddy broken up amp in another room vibe. Think Blake Mills or Ariel Posen kinda sound. Super dope! I have it set in my aux slot so that I can pan the mics in stereo, which you unfortunately can't do in unison mode.

W. Schurat

13 décembre 2020

It sounds very much like the real thing

Amazing!

S. Shaw

7 décembre 2020

GREAT vibe, but the undertone??

This sim grabs the spirit of clean-ish sound, but as others have commented, there's an undertone fifth below the tone and it's really the deal breaker when playing solo. Doesn't seem to be fixed at all since someone pointed it out in 2017. So I'll have to pass.

s. wen

16 octobre 2020

Good tone

Nice Amp

s. wen

16 octobre 2020

Nice

Good tone

N. Bryce

2 octobre 2020

Exactly what a wanted!

Depends on what kind of music your recording as for me it’s perfect for three of my songs I love this plugin!

M. Mole

5 août 2020

Expensive but Excellent

Great plug in for making DId guitar sound real and three dimensional. The control over the mics is fantastic

B. Webber

20 juillet 2020

Old sound and yet, new sound

I love the vintage sound which is fresh all over again. It has a great vibrato, which used sparingly add nice character. I’m glad that I picked this up. A great compliment to the more modern sounds in most of the other amp plugins.

A. Lebedev

26 juin 2020

I was excited by the sound, but...

Today started a demo and I was surprised with a range of tones, that I can get from this emulation. But after a few hours of recording, I discover some parasitic undervoice, that is very audible and sounds like a fifth lower than a single note, I'm playing. That's why I can't buy it, it is a big problem. Please, fix it, and I buy this super amp. Thanks.

R. Martine

20 mai 2020

Really Warm

The realism of the tubes and "hardware path" compression and clarity, is exceptional sounding. If you play anything besides "Metal", this amp is a must. Easily my favorite of all the amps.

S. Silbert

7 mai 2020

Best tube dirt emulation I could find

I'm very used to playing through great sounding amps and touch sensitive dirt boxes with good tone. I want to hear every note clearly under distortion. While I've managed to get some good clean sounds and really dirty sounds with other emulators, this is the only plugin I've heard that sounds good to me and still gives me the touch control I need. Nice crunch when hit hard, nice clean when hit lightly. No other plugin I tried came close to making me happy. This one does.

A. Kolomvatsos

26 avril 2020

Mellow and creamy sounds

I bought this simulation for its mellow and creamy sound. The tremolo effect is really unique as well, it has a soft vibe. It is a must have amp simulation if you want to broaden your sound palette. It’s not for aggressive rock sounds

C. Mays

23 janvier 2020

Bluesbreaker 62 Emulation is Excellent

I love this amp and the uad emulation is really well done. I've used this on a few sessions now and as far as R&B, Blues, Classic Soul or Rock vibes this gets you just right for the tracking to the mix. The cleaner settings are just plain great and could sit well in any genre that needs the guitar to shine. I did a whole say of slide sessions and the stock heavy slide presets were so good ( playing an SG) I barely tweaked anything. That means I got right to the creative playing parts and that's what I love in a plug like this. Barely tweaked in mix either....tracked and delived as advertised. Thanks UAD

S. Nikides

14 décembre 2019

UAD Bluesbreaker ON the $$$!!

Previously NOT a fan of amp modeling technology. I successfully resisted until my fairly recent purchase of the UAD Bluesbreaker (and 55 Tweed Deluxe). Who in their right mind would succumb to this pervasive trend when they've got the real thing at their disposal? I've owned an original Marshall 1961 Bluesbreaker (4 x 10) and currently own the excellent Louis Electric 'Baby' Bluesbreaker (1 x 12), among many other rare pieces. My home studio is in an apartment building, and late night tracking of live guitar amps is a non-starter. Given the situation, I figured what have I got to lose? Inserted into the Unison slot of my Apollo Twin, with the guitar plugged into the Hi-Z input is quick, easy, and painless. Tonally speaking, finding a wide variety of harmonically rich settings is a no brainer. And it works equally well with single coil F style guitars and humbucking G style guitars. Dialing in something complementary to track an overdub literally takes seconds. No more moving mic's around looking for the sweet spot. No more measuring. No more baffle. I'm kicking myself in the ass for being such a Luddite for so long. Thanks UAD!!

K. Lima

18 janvier 2019

Congratulations!!!!

Amazing amp sim...i've bought all marshalls, everyone has a unique tone, loving it.

G. EVANS

30 septembre 2018

Excellent JTM tones..

This is, hands down, the best amp sim I have used...pretty shocking, really. I'm usually not a big fan of amp sims, and strongly prefer playing cranked tube amps. That being said, I personally feel like the UA Marshall sims are the best out of all the available UA amps...the Silver Jubilee, Plexi and Bluesbreaker being my favorites. I was demo-ing a number of the UA amp plug-ins, and while a lot of them sound pretty decent, this Bluesbreaker stands above the rest. The combination of the the very detailed emulation of the kt-66-ish fat warmth and the various mic/cab configurations that give very realistic room-sounds just make this sim a pure joy to play. I was lost in playing the many excellent-sounding presets for hours...very, very similar to the real-deal. While all the presets sound like a bluesbreaker/jtm amp, there are many different tones to be had, from warm cleans to various dirty and overdriven sounds. The thing that really makes this one stand above the rest though is that it behaves similar to an actual tube amp...responds well to subtle differences in picking, volume/tone knob adjustments, etc. This sim with a plate-reverb plug-in is just killer. The only downsides are the high price, and that there can be some very slight, strange harmonics generated here and there...probably not noticeable in a mix though. So, if it's not possible for you to crank up an actual bluesbreaker amp for home-playing/recording, this is a very close alternative to check out.

P. Sunesson

25 juillet 2018

Bluesbreaker delight

Now I’ve had my new Marshall Bluesbreaker plug for almost one month. Firstly I must confess I also own the ”real” deal i.e. a 1962 Marshall Bluesbreaker that’s been with me for over 15 years. I love the sound from it, so in order to make things easier and more comfortable - I just had to get this plug in from UAD.
I must say I am stunned over how great this plug sounds, and how easy handled it is. Now I have completed my virtual amp setup by four fantastic plug ins from UAD. Last but not least, a fantastic Bluesbreaker.
Thanks for that...